{"id":445019,"date":"2012-02-15T18:56:42","date_gmt":"2012-02-15T16:56:42","guid":{"rendered":"https:\/\/dev.elorainweb.com\/?p=445019"},"modified":"2024-05-12T10:43:34","modified_gmt":"2024-05-12T08:43:34","slug":"tank-because-frederic-sanchez-2","status":"publish","type":"post","link":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/tank-because-frederic-sanchez-2\/","title":{"rendered":"Tank because frederic sanchez"},"content":{"rendered":"<p><\/p>\n<div style=\"text-align: left; \">TANK MAGAZINE September 15th 2012<\/p>\n<p>Fr\u00e9d\u00e9ric Sanchez is not a DJ &#8211; even if he has been soundtracking major fashion designers&#8217; catwalk shows for nearly 25 years. &#8220;I&#8217;ve never been one,&#8221; he says by phone from his holiday in Normandy, as seagulls squawk in the background. &#8220;I&#8217;ve always considered what I do as artistic.&#8221; And, it turns out, he wasn&#8217;t always that into fashion either: &#8220;I&#8217;d always been a music lover,&#8221; he says, &#8220;but wasn&#8217;t really interested until I saw people like Peter Savile doing both Factory record covers and catalogues for Yohji Yamamoto. I&#8217;d always liked it when different artistic disciplines mix &#8211; and then I met Martin.&#8221; That was in 1988, and Martin was Martin Margiela, and the result was Fr\u00e9d\u00e9ric providing the music for the designer&#8217;s first ever show. &#8220;That moment laid the foundations of my work,&#8221; he explains. &#8220;I was inspired by how experimental films were edited and how the sound was worked on as much as the image. I&#8217;m not interested in just sticking some background music on; it&#8217;s about creating a signature, something that really belongs to each house.&#8221;<\/p>\n<p>Since 1988, Fr\u00e9d\u00e9ric has moved from maison to maison, working with a who&#8217;s who of fashion. &#8220;My collaborations with most of them are really long &#8211; almost 18 years with Marc Jacobs &#8211; so I&#8217;ve really participated in the artistic aspects of their careers,&#8221; he says, going someway to explaining his longevity in the face of fashion&#8217;s permanent desire for the new. &#8220;But then, for me it&#8217;s not really about working for big brands; it&#8217;s about working for designers, people like Miuccia Prada &#8211; who work for their own companies. There&#8217;s a laboratory, R&#038;D side that really interests me.&#8221; In fact, he says, he doesn&#8217;t even really look at the clothes: &#8220;I talk a lot with the designer and then together we create sounds that provoke images for people during the show. It&#8217;s about creating a d\u00e9cor &#8211; a physical atmosphere that works on the senses, like a perfume.&#8221;<\/p>\n<p>We asked Fr\u00e9d\u00e9ric to compile a playlist exclusively for O: by Tank readers, which you can listen to via app. &#8220;I&#8217;ve put together a selection that&#8217;s pretty personal,&#8221; he says, &#8220;I wanted it to be poetic, so I chose someone I&#8217;ve always adored: Richard Jobson. I love his literary references &#8211; Marguerite Duras, Jean Cocteau and Jean Genet &#8211; which are mine, too. I also like really minimalist electro: so there&#8217;s a kid called Ben Frost and stuff by Alva Noto with Ryuchi Sakamoto. Then there&#8217;s the classical with Satie, Wagner and Strauss. So I&#8217;ve mixed up all these influences to create a selection that&#8217;s really European and also tells my own life story. It&#8217;s about my taste, the tastes I&#8217;ve always had.&#8221;<\/p>\n<p>Credits:<br \/>\nText by: Tom Ridgway \/ Photo by: Pierre Henri Chauveau<\/p>\n<p><a title=\"Link to the article\" href=\"http:\/\/becauselondon.com\/radio\/2012\/09\/frederic-sanchez.aspx\" target=\"_blank\" rel=\"noopener\">Link to the article<\/a><\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>TANK MAGAZINE September 15th 2012 Fr\u00e9d\u00e9ric&hellip;<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-445019","post","type-post","status-publish","format-standard","hentry","category-fs-press"],"_links":{"self":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts\/445019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/comments?post=445019"}],"version-history":[{"count":0,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts\/445019\/revisions"}],"wp:attachment":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/media?parent=445019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/categories?post=445019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/tags?post=445019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}