{"id":445076,"date":"2015-06-02T20:17:45","date_gmt":"2015-06-02T18:17:45","guid":{"rendered":"https:\/\/dev.elorainweb.com\/?p=445076"},"modified":"2024-05-12T11:00:26","modified_gmt":"2024-05-12T09:00:26","slug":"english-marni-style-com-march-2015","status":"publish","type":"post","link":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/english-marni-style-com-march-2015\/","title":{"rendered":"Marni-Style.com-March 2015"},"content":{"rendered":"<div style=\"text-align: justify;\">\nMarni &#8211; Style.com &#8211; March 2015<\/p>\n<p>Fall 2015 Ready-to-Wear<\/p>\n<p>March 1, 2015<\/p>\n<p>When Consuelo Castiglioni mentioned &#8220;twisted femininity&#8221; as a reference point for her new Marni collection, it didn&#8217;t really strike an oh-that-sounds-new chord. Marni has always walked the skewed side of the street. But what did look new the minute Sophia Ahrens hit the catwalk today was the fierceness: Amazonian tunic, major belt, python boots and matching cross-body bag strap, hair dragged up and off the face, brows knit. Woman going somewhere, and best get out of her way.<\/p>\n<p>Backstage, there was talk about the cult movie Hanna, with Saoirse Ronan playing a girl who was raised as a vigilante\/assassin. Castiglioni was in love with the notion of a purposeful woman on the move. Her collection was infused with a sense of rawness, urgency\u2014propelled by the ominous, pounding slab of John Carpenter music that Fr\u00e9d\u00e9ric Sanchez had chosen for the soundtrack. Seams were ragged, fabrics raw-cut. One of the most striking effects was a floral print transformed into a jacquard that was brushed till it was part bald, part thick-piled. There were dresses that looked like bolts of fabric had been draped around the body and belted into place, no time for a finishing touch. The use of fur had a similar rough-hewn, patched-up flavor.<\/p>\n<p>But the sheer power of the look was much less Hanna warrior than vintage Hollywood. There was also talk backstage of Hitchcock heroines: not the Technicolor blonds, but the black-and-white stars\u2014Ingrid Bergman in Notorious, say\u2014except they tended to be victims. It was more an iconic ball-breaker like Joan Crawford who registered in Julia Nobis&#8217; finale look: a high-necked silk blouse attached to fur sleeves paired with a flaring tweed skirt appliqu\u00e9d with a black velvet floral pattern that could almost have been something tribal, like the stenciled patterns earlier in the show. You could picture Mildred Pierce on a 21st-century rampage.<\/p>\n<p>The militant mood never let up. Those cross-body bag straps were Castiglioni&#8217;s Buster Brown belts. And the major silhouette\u2014the lean, elongated top over flared pants slit open at the hem\u2014also had something of Mao&#8217;s militarized women who would take Tiger Mountain by strategy. But it was an utterly convincing and forceful expression of Castiglioni&#8217;s evolving vision. How far she&#8217;s come.<\/p>\n<p><a href=\"http:\/\/www.style.com\/fashion-shows\/fall-2015-ready-to-wear\/marni\" target=\"_blank\" rel=\"noopener\">Style.com<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Marni &#8211; Style.com &#8211; March 2015&hellip;<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-445076","post","type-post","status-publish","format-standard","hentry","category-fs-press"],"_links":{"self":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts\/445076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/comments?post=445076"}],"version-history":[{"count":0,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts\/445076\/revisions"}],"wp:attachment":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/media?parent=445076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/categories?post=445076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/tags?post=445076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}