{"id":445103,"date":"2015-08-20T12:51:47","date_gmt":"2015-08-20T10:51:47","guid":{"rendered":"https:\/\/dev.elorainweb.com\/?p=445103"},"modified":"2024-05-12T11:06:36","modified_gmt":"2024-05-12T09:06:36","slug":"dazed-aout-2015-2","status":"publish","type":"post","link":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/dazed-aout-2015-2\/","title":{"rendered":"Dazed &#8211; Aout 2015"},"content":{"rendered":"<div style=\"text-align: justify; \">\n<p>Dazed &#8211; Aout 2015<\/p>\n<p>The cult composer behind the most iconic runway moments<br \/>\nWith his sounds shaking up the speakers of Prada, Comme des Gar\u00e7ons and Miu Miu, we look back on the legacy of Fr\u00e9d\u00e9ric Sanchez<\/p>\n<p>With his carefully curated soundtracks blasting out from the speakers of Prada, Comme des Gar\u00e7ons, Margiela and Miu Miu, Fr\u00e9d\u00e9ric Sanchez has become a catwalk icon in his own right. Whether he&#8217;s transporting you to another time with his live compositions or mixing up Metallica and Beyonc\u00e9, his vast and varied tastes have changed the game for fashion soundtracks. After speaking to Editorial Director Tim Noakes about his already formidable legacy at the Dazed Fashion Forum this weekend, we pick out some of his career-defining moments.<\/p>\n<p>MIU MIU AW09<\/p>\n<p>To accompany Miu Miu&#8217;s sultry 2009 show, Sanchez dusted off his 70s cinema collection \u2013 scrapping music for soft-spoken European dialogue. Setting a disquietingly sensuous scene, the show featured scores and sex-fuelled conversations from a number of romantic classics (including the films of Luchino Visconti, Rainer Werner Fassbinder and Barbet Schroeder).<\/p>\n<p><iframe loading=\"lazy\" width=\"745\" height=\"496\" src=\"https:\/\/www.youtube.com\/embed\/kSBZHGJiE2Q\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>PRADA AW14<\/p>\n<p>With two sunken orchestra pits hidden away in the shadows, this marked a dark and mysterious start to Prada&#8217;s AW season. Once again inspired by the German noir aesthetic of director Rainer Werner Fassbinder, Sanchez used cult actress Barbara Sukowa&#8217;s vocal talents to resurrect the gloomy spectres of 20s composers Kurt Weill and Arnold Shoenberg.<\/p>\n<p><iframe loading=\"lazy\" width=\"745\" height=\"496\" src=\"https:\/\/www.youtube.com\/embed\/chbCzYLD3eQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>MARTINE SITBON AW97<\/p>\n<p>Combining the sleek raven-chic of Parisian designer Martine Sitbon with the drones and thrashes of experimental band Hovercraft, Sanchez claims this was one of his all time favourite fashion collaborations. \u201cI really loved that show,\u201d he remembers. \u201cThe music, very violent and poetic, had no reference at all. An important side in my work, beside creating mental images, is to take the audience on a sound journey.\u201d<\/p>\n<p><iframe loading=\"lazy\" width=\"745\" height=\"496\" src=\"https:\/\/www.youtube.com\/embed\/BZ_2FkTXYK8\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>COMME DES GAR\u00c7ONS SS15<\/p>\n<p>The eerie drones returned for this bloodthirsty Comme des Gar\u00e7ons&#8217; show, with Sanchez creating an atmosphere so heavy it was almost suffocating. Given just the word &#8216;red&#8217; by Rei Kawakubo as a starting point, he ended up pulling together tracks from metal bands Earth and Sunn O))) to add another, darker layer to the already savage show.<\/p>\n<p><iframe loading=\"lazy\" width=\"745\" height=\"496\" src=\"https:\/\/www.youtube.com\/embed\/qxXNCjKLoCk\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"http:\/\/www.dazeddigital.com\/fashion\/article\/25660\/1\/frederic-sanchez-s-best-moments\">dazeddigital.com <\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dazed &#8211; Aout 2015 The cult&hellip;<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-445103","post","type-post","status-publish","format-standard","hentry","category-fs-press"],"_links":{"self":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts\/445103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/comments?post=445103"}],"version-history":[{"count":0,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts\/445103\/revisions"}],"wp:attachment":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/media?parent=445103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/categories?post=445103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/tags?post=445103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}