{"id":445312,"date":"2018-06-22T12:08:41","date_gmt":"2018-06-22T10:08:41","guid":{"rendered":"https:\/\/dev.elorainweb.com\/?p=445312"},"modified":"2024-05-12T11:48:17","modified_gmt":"2024-05-12T09:48:17","slug":"ann-demeulemeesters-symbolist-romance-2","status":"publish","type":"post","link":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/ann-demeulemeesters-symbolist-romance-2\/","title":{"rendered":"Ann Demeulemeester\u2019s symbolist romance"},"content":{"rendered":"<p>Fashion Network &#8211; 22 juin 2018<\/p>\n<div style=\"text-align: justify; \">\n<br \/>\nAnn Demeulemeester\u2019s symbolist romance<\/p>\n<p>By Godfrey Deeny<\/p>\n<p>Nothing very gender specific in a notably romantic co-ed show by the house of Ann Demeulemeester, an nostalgic collection that captured the contemporary yearning for a little more poetry in our lives.<\/p>\n<p>The clothes were almost interchangeable between the guys and the gals in this collection, very much in keeping with the poetic rocker DNA of this Belgian house.<\/p>\n<p>The gents appeared in lace shirts and gloves; cut-off petticoats; ladylike woven leather sandals; girly white cotton blouses and bloomers; the ladies wearing similar gear. Half the cast sported battered leather and straw hats worthy of a peasant in a Van Gogh oil painting. Above all, some superbly cut linen planters coats and dusters in dusty pink jacquards and ecru. Plenty of good merchandise in other words; and all inspired by the late 19th century symbolist painter Odilon Redon, whose paintings phantasmagorical dream-like qualities were echoed in the clothes.<\/p>\n<p>\u201cOdilon came from moment a when people were beginning to doubt the need for constant progress. When people wanted to pause and dream more. That\u2019s what I wanted to suggest,\u201d said the house\u2019s creative director S\u00e9bastien Meunier, who took over the design helm after founder Ann retired in 2013.<\/p>\n<p>That need for dreams also apparent in an inspired soundtrack by Frederic Sanchez: four versions by, respectively, Marianne Faithful, Loreena McKennitt, Elizabeth Fraser and Joan Baez, of that great Irish romantic lament, She Moved Through the Fair. A moment of grace among an intensely busy day of traffic jams, multiple events and parties.\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Fashion Network &#8211; 22 juin 2018&hellip;<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-445312","post","type-post","status-publish","format-standard","hentry","category-fs-press"],"_links":{"self":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts\/445312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/comments?post=445312"}],"version-history":[{"count":0,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/posts\/445312\/revisions"}],"wp:attachment":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/media?parent=445312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/categories?post=445312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/en\/wp-json\/wp\/v2\/tags?post=445312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}