{"id":445047,"date":"2013-10-25T19:54:39","date_gmt":"2013-10-25T17:54:39","guid":{"rendered":"https:\/\/dev.elorainweb.com\/?p=445047"},"modified":"2024-05-12T10:55:10","modified_gmt":"2024-05-12T08:55:10","slug":"odda-5-2","status":"publish","type":"post","link":"https:\/\/fredericsanchez.com\/fredericsanchez\/odda-5-2\/","title":{"rendered":"ODDA 5"},"content":{"rendered":"
ODDA 5<\/p>\n

Frederic Sanchez The CreatorBeginning his Career in fashion by producing soundtracks for maison Martin Margiela’s earliest runway shows, Frederic Sanchez has since continued on an all out audial colonisation of the industry’s heaviest hitters. Working alongside houses such as dior, Prada and Valentino, Sanchez has carved a career from creating worlds within sound that manifest the essence of fashion. for the Paris native however, this is one of many artistic avenues he has explored; also creating films and exhibiting sound installations in the world’s most hallowed galleries and museums.<\/p>\n

ODDA \u2014 You have had long-standing collaborations with the industry’s most respected names; what attracts you to working with designers of fashion?
\nFREDERIC SANCHEZ \u2014 I found affinity with fashion through its laboratory of ideas. I am attracted to wor- king with fashion designers, because they also create through their five senses.
\nODDA \u2014 You have said that your sound works best with a minimal aesthetic; how would you define the ‘aesthetic’ of your sound??
\nFREDERIC SANCHEZ \u2014 Minimal and poetic.
\nODDA \u2014 over the course of your career, the music industry has encountered significant changes; have you felt the reverberations of this?
\nFREDERIC SANCHEZ \u2014 Since I began working in the late 80’s, the most significant change has been the growing importance of internet.
\nODDA \u2014 are there any designers you have not worked with whose visual style you particularly admire?
\nFREDERIC SANCHEZ \u2014 Comme des Gar\u00e7ons.
\nODDA \u2014 how do you translate the mood of a collec-
\ntion into sound?
\nFREDERIC SANCHEZ \u2014 Its created through long term work and conversation with a designer. I get the inspira- tion and then find the bridge between mood and sound.
\nODDA \u2014 do you feel vision and sound emotionally engage with an audience on different levels? What makes the mix of the two so effective?
\nFREDERIC SANCHEZ \u2014 It’s true that vision and sound elicit different emotional responses, but I have always found that sound changes the perception of an image. I think that’s the essence of my work.
\nODDA \u2014 What are your most trusted pieces of techno- logy that you use in the composing process?
\nFREDERIC SANCHEZ \u2014 My computer and Nuendo software, which I use for audio sequencing.
\nODDA \u2014 You have exhibited in some of the world’s most prestigious galleries and museums, how did the process of creating installations differ from your work in fashion?
\nFREDERIC SANCHEZ \u2014 My work in fashion is comple- tely about collaboration, whilst creating installations is about putting myself out there on a 3D blank page.
\nODDA \u2014 are there any projects you have always wanted to realize?
\nFREDERIC SANCHEZ \u2014 I’ve always wanted to write a book.
\nODDA \u2014 Your most recent film was ‘le soldat sans visage’; what was the creative process behind it like?
\nFREdERIC SANCHEZ \u2014 The film was commissioned by Johanna Chevalier, who is a video art curator. She asked me to choose a piece of classical music and create a video inspired by it. It was a challenge, but I finally got a chance to put images to music myself.
\nODDA \u2014 do you think there will be any more moving- image works in the near future?
\nFREDERIC SANCHEZ \u2014 Yes, definitely, I’m always working on different projects.
\nODDA \u2014 Your work seems to follow in the footsteps
\nof greats such as stockhausen and Jean michel Jarre; how did you find your own niche in the world of elec- tronic music?
\nFREDERIC SANCHEZ \u2014 Perhaps it has to do with the fact that nothing was predestined. I have always just followed my own path with all the cultural and personal influences that I’ve turned into sound.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

ODDA 5 Frederic Sanchez The CreatorBeginning…<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-445047","post","type-post","status-publish","format-standard","hentry","category-fs-press"],"_links":{"self":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/wp-json\/wp\/v2\/posts\/445047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/wp-json\/wp\/v2\/comments?post=445047"}],"version-history":[{"count":0,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/wp-json\/wp\/v2\/posts\/445047\/revisions"}],"wp:attachment":[{"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/wp-json\/wp\/v2\/media?parent=445047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/wp-json\/wp\/v2\/categories?post=445047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fredericsanchez.com\/fredericsanchez\/wp-json\/wp\/v2\/tags?post=445047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}